ADVANTAGES
OF A MAJOR CHAIN STUDIO
Major dance studios are, by their very nature and longevity, more well established
than most independents. Arthur Murray has operated their world-wide system since the
1940s; Fred Astaire since the early 50s, and TC for well over two decades. These places
are much more visible because they do considerable advertising. Almost all studios of the
major corporations are thoroughly licensed and some are even bonded according to the laws
and statutes of the state they are located within. Their tuition rates are generally twice
that of smaller, independent schools because the chain operations pay hefty franchise
fees, usually pay their instructors higher salaries, and spend a lot on promotions.
Other advantages include: standardized levels of instruction
throughout the system; the ability to of a student to transfer their lessons from one
location to another, (or one city to another) knowing the instruction will remain
constant. Tuition rates seldom vary from one major chain studio to another unless it is
located in a major city which forces the studio to pay exorbitant rent for their space.
Most up-scale major schools are in easy-to-find locations
and usually have large, expensive exterior signs. Most conduct their own in-house parties
and competitions for their students. The major chain school operations see to it that each
location operates under a rigid, stringent code of ethics and regulations which are passed
down from corporate headquarters. These large corporations hire highly qualified,
thoroughly trained dance directors whose job it is to see that each staff member in every
studio within the organization is constantly being trained and their teaching levels
upgraded. Each professional instructor within the organization must be certified and all
employees are required to sign binding contracts.
All major chain studios use attorney-prepared contracts
which must be signed by the student when they agree to purchase a course or program of
dance training. Legal and binding under the law, these protect both the studio and the
student. Should a studio within the chain operation be forced the close, the student has
legal recourse to recover funds invested for lessons not taken or any course not
completed.
DISADVANTAGES OF A MAJOR CHAIN
STUDIO
First, let me say I have no quarrel with the rates the major studios charge for their
services. I know the astronomical costs required to run one of these facilities. And who's
to say that the professionals in our business should not charge the same hourly rate as
professionals in other fields such as doctors, psychiatrists, psychologists or lawyers? I
honestly and truly believe we do as much, if not more, for people. We show people how to
care for their minds and psyches as well as their bodies. However, there are many
deserving individuals who really need the services we provide but simply are not in a
financial position to pay tuition rates which vary from $80 to $150 per hour at a major
chain school.
Naturally there is not one of these studios who will quote
you these figures straight up. They use what is known as a three-way system and they quote
courses which combine private instruction with group classes and parties. It works like
this. After you have visited any studio and taken their short, very affordable
introductory special you decide to purchase a basic beginner-level programsometimes
referred to as "Social Ease." This short course includes 10 hours of private
instruction, 10 to 20 hours of group instruction, and 5 practice "parties" which
average 1 hours and carries a tuition of $1000 to $1500. The studio "sells" you
on the idea that you are receiving a total package of 27 1/2 to 37 1/2 hours (depending
upon how many actual group classes are included) meaning your "hourly rate" for
that program is a "mere $26 to $36 per hour. Sounds logical and reasonable. Catch:
what you are actually paying for are the private hours of instructionnot the group
lessons or the parties. The cost to provide group classes and parties is minimal.
Private lessons are what actually "costs" the
studio money. They have to pay the instructor-usually $15 to $25 per hour depending upon
the skill level of the teacher and how long he or she has been there. The teacher also
receives commission on the sale of the lessons or program you've bought. This can amount
to 7% to 10% of the tuition cost. In actuality you are paying $100 or more per hour. And
it's not a full hour either. It is usually 50 to 55 minutes because the teachers are given
a break between lessons.
Using a formula which totals the salary and commission paid
to the teacher, it actually "costs" the studio anywhere from $220 to $350 to
service those ten hours. Add to that figure the cost of bookkeeping, franchise fees, rent,
utilities, taxes, insurance, and the owner/manager's salaries, and the profit from a $1000
sale is minimal. Unless you can afford to purchase-and pay cash for large blocks of
private hours-the student has generally taken all the private lessons before the group
classes or parties are used. It stands to reason that you're going to learn much faster by
taking private instruction than you do in group classes.
Group class instruction is dispensed at a rate comparable
to the learning rate of the slowest male student. Since the man's part is ten times more
difficult than that for the ladies, group instruction can be very slow. Since most studios
have far more ladies than men, group classes are a hard sell. Ladies do not like to attend
them unless there are enough men to go around so they will have someone to dance with
during the class. This is the reason I teach only couples in my group classes. Were I to
open it up to singles, there would be 10 ladies for every man. If personal finances force
you to pay for your lessons with a series of monthly installments, chances are you'll
probably complete the instruction many weeks or months sooner than your payments.
Should you complete the private lesson portion of a program
before group classes and/or parties have been used, look for constant "chats"
with your teacher's supervisor who will do their best to "extend" your program
by adding additional private lessons. It's a catch-22 situation. The major chain schools
try to discourage outside-the-studio fraternization. By that, I mean they want their
students to attend dance functions under their auspices only. Under no circumstances do
they really like or want their clientele exposed to other dance studios or dance parties.
Rarely ever do their students attend dance competitions other than the ones the chain
operation conducts and promotes.
Each "franchised" operation is assigned specific
financial goals to accomplish-often referred to as "par"-which must be met on an
annual basis. Failure to meet "par" could result in the loss of the franchise.
This practice often forces studio owners to conduct special annual "festivals"
and other fanciful events which are nothing more than a glorified sales gimmick to sell
lessons. These are done usually twice a year and used to generate huge sums of revenue.
Translation: high-pressure selling put onto every member of the student body at some time
during the event. Many of these studios have people who have purchased so many lessons
that they are virtually "locked into" that studio for the rest of their life.
Should a studio close, it can take the student a long time
to be reimbursed for money spent on lessons not taken because an attorney will have to
deal with corporate headquarters. Taking a dance studio owner to court to recover money
pre-paid for lessons (which can cost the student even more money, especially if they lose
the case), can be frustrating and often there is little recovery. This is not to say that
chain schools operate outside of the law. It's just that their tactics sometimes leaves
students with a bad taste in their mouths and the questionable fear that "if I don't
buy more lessons am I liable to be treated differently than I was before?" Do people
get their money's worth at chain studios? In the vast majority of cases, yes. Would I, if
I were an unsuspecting individual, in search of a nice place to go to learn to dance, take
lessons at a major chain school? Yes. I did, and I would again if I were starting my
career all over. But knowing what I know now, I'd do more investigating of both the chain
and independent studios before I made a final decision. |